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Huppes et stramoine, bordure. Papillons, étoffe de soie. Kangourou et arbres, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Adiantum Curvatum from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Catalogusomslag met twee apen, Theo van Hoytema (1900) print in high resolution by Theo van Hoytema. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Lézard from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Écureuils from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil.​​​​ Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Tineida–Motten from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Guide for Constructing the Letter N from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Carnation, Martagon Lily, and Pear from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Ammonitida–Ammonshörner from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Honeysuckle (1874) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Athyrium Filix–Femina (Lady Fern) from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Repast of the Lion (1907) by Henri Rousseau. Original from The MET Museum. Digitally enhanced by rawpixel.
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Vintage bunch of red grapes illustration. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Superimposed Letters Spelling the Names of Illustrious Women of Ancient Rome: Faustina, Lucretia, Virginia, Vittoria, Giulia, Flaminia from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnag
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Sidney Hall’s (?-1831) astronomical chart illustration of the Taurus. Original from Library of Congress. Digitally enhanced by rawpixel.
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The Story of the Dwellers at Eyr by William Morris (1834–1896). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Chard Leaves and Red Winged Grasshopper from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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French Rose and Apple from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Discomedusae–Scheibenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Caterpillar and Insect from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Wild rose, Rosa (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
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Self–portrait of the eyes only (Zelfportret van alleen de ogen) (1917) print in high resolution by Samuel Jessurun de Mesquita. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Medlar, Poppy Anemone, and Pear from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Ladybird and European Wild Pansy from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Polypodium Hastaefolium from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Guide for Constructing the Letters u and v from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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The Milkmaid (ca. 1660) by Johannes Vermeer. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Hepaticae–Lebermoose from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Gymnogramma Chrysophylla from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Avocado (Persea) (1916) by Amada Almira Newton. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Leaping Brook Trout chromolithograph (1874) by Samuel Kilbourne. Original from Museum of New Zealand. Digitally enhanced by rawpixel.
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Anthomedusae–Blumenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Aspidium Cicutarium from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Turkish Pillow cover during 19th Century embroidered in coloured threads, silks on cotton, chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green by William Morris. Original from The Birmingham Mu
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Sidney Hall’s (?-1831) astronomical chart illustration of the Scorpio. Original from Library of Congress. Digitally enhanced by rawpixel.
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Trachomedusae–Kolbenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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A Sloth from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Cherries (Prunus Avium) (1894). Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Dragonflies illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.
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Love is Enough–Initial letter “L” entwined with Laurel Leaves (1866–1867) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Wild Pansy and Artichoke from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Coq, vase argent ciselé. Ombelles et libellules, jeu de fond. Crevettes, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Shell of a sea snail (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
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Asplenium Vulgare from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Guide for Constructing the Letters s and t from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Guide for Constructing the Tironian con and orum from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Two Women on the Shore (1898) by Edvard Munch. Original from The MET Museum. Digitally enhanced by rawpixel.
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Asplenium Trichomanes (Maidenhair Spleenwort) from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Passiflora Cerulea from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Strawberries (Fragaria) (1912) by Amanda Almira Newton. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Aspidium Thelypteris from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Love is Enough–Narrow Band of Ornament with Flowers and Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Scarlet Ibis with an Egg (1699–1700) by Maria Sibylla Merian. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Wallflower Pattern (1890) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Blooming Flower n.d. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Aloe Opuntia Polyanthos Image from Histoire des Plantes Grasses (1799) by Pierre-Joseph Redouté. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Roodborstje op besneeuwde boomtak (1878–1910) print in high resolution by Theo van Hoytema. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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