Album de Musique offert par G.Rossini a Louise Carlier, Mars 1835 - Suzanne Danco, Soprano, Francesco Molinari-Pradelli Piano, Philips Minigroove A00427L : 無料・フリー素材/写真

Album de Musique offert par G.Rossini a Louise Carlier, Mars 1835 - Suzanne Danco, Soprano, Francesco Molinari-Pradelli Piano, Philips Minigroove A00427L / Piano Piano!

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ライセンス	クリエイティブ・コモンズ表示 2.1
説明	No Backsidewww.discogs.com/Suzanne-Danco-Francesco-Molinari-Pradelli...Rare Record. Gramophone Review:This utterly charming recital, recorded in 1956, owes its origins to two men: the celebrated Milanese collector of antiquarian curiosities Natale Gallini and the man who first put the collection together, a certain Gioachino Rossini. It was in Paris in the early 1830s that Rossini had the idea of assembling a decorative and handsomely inscribed Song Book for the daughter of a well known Parisian impresario. The result: an "Album de Musique, offert par G. Rossini a Mademoiselle Louise Cartier, Mars 1835". Mme Benazet (as she was soon to become) later added to the volume; the Spontini song bears the inscription "Paris, 1839". But most of it was Rossini's doing.Naturally, one looks to the great names who contributed to Mile Cartier's book: Bellini and Meyerbeer and the ageing Cherubini. They don't disappoint; the Bellini song is especially lovely and even the Cherubini has its own quirky interest. Some old lags turn up—Paer and the man who helped Rossini draft the original version of his Stabat mater, Giovanni Tadolini. The real surprises, though, are elsewhere. Just when you think the format is becoming a shade predictable—a chance perhaps to doze off whilst mademoiselle's mother isn't looking—along comes some small gem of a piece by Signor Morlacchi or Signor Bazzini. ("My dear, isn't he the famous violinist— the man that scallywag Paganini thinks so highly of'?") Indeed, he is. In fact, I would say Bazzini's Chi ami? is one of the highlights of the collection.Suzanne Danco is the impeccable interpreter for all this. She neither indulges the music, nor condescends to it. Fine diction, elegant phrasing, vocal colour judiciously used. The same could be said of the conductor-turned-pianist Francesco Molinari-Pradelli: impeccable.To complete one's pleasure, there is the recital's equally impeccable presentation: a recording that sounds almost new-minted, full texts and translations, and a set of beautifully written biographical vignettes of the various composers by Gallini himself. Rossini, I feel, would be touched—and gratified. The whole production has what was always for him an indispensable attribute: style. RO
撮影日	2009-05-26 19:05:22
撮影者	Piano Piano!
タグ	lp record grammofoon plaat gramofoon gramophone langspielplatte long play disc disque 33t recording aufname opname concert concerto konzert langspeelplaat vinyl 12inch klassiek classic classical piano recital vintage 50s 60s 70s hans thijs hansthijs cover Album de Musique offert par G.Rossini a Louise Carlier Mars 1835 - Suzanne Danco Soprano Francesco Molinari-Pradelli Piano Philips Minigroove A00427L album sleeve collection hoes platte klavier pianist keyboard art Gramophone Review: This utterly charming recital recorded in 1956 owes its origins to two men: the celebrated Milanese collector of antiquarian curiosities Natale Gallini and the man who first put the collection together a certain Gioachino Rossini. It was in Paris in the early 1830s that Rossini had the idea of assembling a decorative and handsomely inscribed Song Book for the daughter of a well known Parisian impresario. The result: an Album de Musique, offert par G. Ro one looks to the great names who contributed to Mile Cartier's book: Bellini and Meyerbeer and the ageing Cherubini. They don't disappoint; the Bellini song is especially lovely and even the Cherubini has its own quirky interest. Some old lags turn up—Pae Giovanni Tadolini. The real surprises though are elsewhere. Just when you think the format is becoming a shade predictable—a chance perhaps to doze off whilst mademoiselle's mother isn't looking—along comes some small gem of a piece by Signor Morlacchi or Signor Bazzini. (My dear, isn't he the famou he is. In fact I would say Bazzini's Chi ami? is one of the highlights of the collection. Suzanne Danco is the impeccable interpreter for all this. She neither indulges the music nor condescends to it. Fine diction elegant phrasing vocal colour judiciously used. The same could be said of the conductor-turned-pianist Francesco Molinari-Pradelli: impeccable. To complete one's pleasure there is the recital's equally impeccable presentation: a recording that sounds almost new-minted full texts and translations and a set of beautifully written biographical vignettes of the various composers by Gallini himself. Rossini I feel would be touched—and gratified. The whole production has what was always for him an indispensable attribute: style. RO
撮影地
カメラ	FinePix F31fd , FUJIFILM
露出	0.013 sec (1/80)
開放F値	f/2.8
焦点距離	8 mm

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