BADco. :: Broken Performances :: Galerija Nova : 無料・フリー素材/写真
BADco. :: Broken Performances :: Galerija Nova / tomislavmedak
| ライセンス | クリエイティブ・コモンズ 表示 2.1 |
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| 説明 | Each collective process in theater begins with an encounter, and so every circuit of relations between the authors, institutions and the public has the character of an outcome of an encounter – it could have not occurred, and yet it did. The principle of conditioning of an encounter is a permanent state of incompleteness, incompleteness not as state of un-done, but as a state of creation through disruption – that of a premiere, interpretive disruption, economic disruption… This principle does not start from the principle of necessity, the principle that elements of the theatrical process arise out of necessity, but become necessity themselves. All encounters, and their outcomes, are subject to chance thus their conditioning can only be determined by reverse engineering.The relatively fast pace of production of performances, the focus of the artists primarily on future life and distribution of new works, and the subsequent chronic lack of time for consideration of past work and public traces of the work, all provoke the need for a look back, a slowing down, an interruption as an artistic gesture which, in turn, allows for a creation of conditions for new beginnings. This installation is one such pulling of a brake with a desire to: Re-think things. See how it works. Hear the sound interruption.The performative installation Broken Performances is a writing “on the margin” of our primary artistic production and is named after his own formation process – it was necessary to tear apart the performance into a series of notes, impressions, experiences, perceptions, so that we would be able to look at it again not through an interpretation of meaning it produces, but through the way it produces, the encounters that could have happened, its weak power to determine something.The choreography that we have subjected to this analytical process is Fleshdance (2004), a work conceived as a problematic study of the triptych paintings by Francis Bacon.The installation results from a collaboration of performance collective BADco. with cinematographer Ivan Slipčević – Slipke, editor Bojan Perić and visual artist Igor Pauška. Texts resulting from analysis by Goran Sergej Pristaš and Zrinka Užbinec, with textual fragments by Marcel Proust, Samuel Beckett and J. G. Ballard. Music, costumes and video used in the instalation are part of the original choreography.The installation uses ALVES – Algorithmic Live Video Editing System software by Daniel Turing. Video scripting (ALVES): Tomislav Medak. Technical associate: Anton Koch.Authors’ team of Fleshdance are Nikolina Pristaš (choreography and performance), Pravdan Devlahović, Ana Kreitmeyer, Zrinka Užbinec (performance), Ivana Ivković and Goran Sergej Pristaš (dramaturgy), Silvio Vujičić (costumes), Helge Hinteregger (music), Oliver Imfeld (video). |
| 撮影日 | 2013-12-04 22:13:53 |
| 撮影者 | tomislavmedak |
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| カメラ | GR , PENTAX RICOH IMAGING |
| 露出 | 0.01 sec (1/100) |
| 開放F値 | f/2.8 |